Yamaha AvantGrand Pianos

Why own a grand piano if you can’t immerse yourself in it’s sound for fear of disturbing someone?

Anyone who loves to play will recognise this dilemma immediately, and will certainly have longed to be able to turn down the volume just to keep playing.

With the AvantGrand, now you can.

To enable you to play whenever you choose, without compromise, Yamaha adopted two ambitious goals in developing this hybrid instrument.

The first – to meticulously emulate the sound of the grand piano in all it’s glory; the second – to replicate the physical sensation of playing, so that even with the volume turned down, the instrument will not lose an ounce of expressive power. To achieve these goals, Yamaha have embarked upon an exhaustive program of inspecting and testing entire sound production processes, starting at the input stage – the keyboards and pedals – moving to the sampling process, and finally focusing on the speaker system,which delivers the finished sound.

Thanks to a specially designed grand-piano action and a wooden keyboard, the AvantGrand truly becomes an extension of your body as you play.

  • Grand Piano Pedals

    AvantGrand Pedals Light to the touch at first, subtle firmness partway though its travel, and lightening again as the player pushes further; the pedals of the grand piano have subtly different stages than can be felt when the pedal is depressed. Skilled … Continue reading
  • Tactile Response System

    avantGrand-Tactile-Response-System The sound of an acoustic piano resonates throughout its entire body. The bass range in particular is an essential part of the reverberation that is continually transmitted to a player’s body.  In the AvantGrand, this is replicated by our newly-developed … Continue reading
  • Spatial Acoustic Speaker System

    Yamaha-Avant-Grand-Speaker-Positions With the introduction of the AvantGrand, Yamaha ignited a revolution in the approach to sampling recording and playback of the noted of the actual acoustic piano.  Treating the soundboard not simply as a point source of sound but as a … Continue reading